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Along the way, Bluetech puts his signature design elements on display - from ping-ponging melodic interplay and creative modular synthesis to atmospheric sound designs and dubwise fx manipulation. Holotrope unfolds through the four movements of Descending, Expanding, Ascending, and Integrating. Imagined as a psychonaut’s journey into inner space and back, the full-length effort contains four distinct continuously mixed journeys, each designed to fill a single side of vinyl. Much like meditative breath work, the album calls up our innate inner wisdom and its capacity to move us toward positive transformation and wholeness. Translating to “moving towards wholeness,” Holotropic seeks to foster a sense of self-exploration and personal empowerment within its listeners. Inspired by Holotropic Breathwork, a mystic practice from which the album derives its name, Bluetech means to create the sonic equivalent to this conscious meditative practice in the LP’s listening experience. I just create, and explore whatever feels right in the moment.” - Bluetechįresh off a summer run of festival appearances at consciousness-raising events like Infrasound, Bluetech now returns with a deep dive into genre-defying electronic music on his new double LP, Holotrope. I’m not ‘trying’ to make music, or make a particular sound, or keep up with what is happening in any given scene. It is in these in-between spaces where Bluetech learned to blend all his favorite elements of genre and form, crafting his own uniquely postmodern aesthetic.Įxperience allows me the freedom to not second guess myself.
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He dove deep into this form of musical expression, which often gets conveyed as IDM, digi-dub, and psychedelic bass.
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Musically grounded, yet free of music’s conventional restraints, Bartholomew was mostly interested in the electronic interpretation of nature’s expression of being, which he expresses by creating “organic” samples from analog and modular synthesizers.
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So I guess I just trust the process, and allow whatever is needing to come through to come through.” - Bluetech, Psybient Music is something that is essential to who I am as a person and has to come out of me. After discovering electronic music in 1990 through artists like The Orb, Spacetime Continuum, Irresistible Force, Vapourspace, and Brian Eno, the Bluetech sound came to life. However, he often found himself deviating from the traditional approaches to music composition he learned in school and began teaching himself to listen to the rhythms that arose naturally from within him. 1 LP in 2014, Bluetech is an IDM veteran, tastemaker, and self-releases on his label in San Diego.īut before accomplishing any of his career milestones, Bluetech was born into music. Classically trained on the piano, Bartholomew always knew he was destined to be a musician. From the blended sounds of IDM, dub, ambient, and downtempo on 2005’s Sines and Singularities to 2011’s Rainforest Reverberation to his self-released Space Chronicles Vol. Bartholomew has been releasing on a handful of consciously-attuned independent labels since 2003. How does one producer compile so much material in the span of only one year? Well, Bluetech is no newcomer to the dance music scene. It’s these non-traditional electronic spaces, well beyond the fringes of mainstream dance music, that Bluetech feels most at home.
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Not to mention, he’s still riding the high of a Billboard -charting release in his Sci-Fi Lullabies LP, which is an eight-track psychedelic journey into ambient downtempo. The San Diego resident is celebrating the double release of his Liquid Geometries LP and Liquid Geometries In Dub remix album. Evan Bartholomew has had a prolific year of releases under his Bluetech moniker.